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Yi Ha-eung 이하응 Grand Internal Prince Heungseon 흥선대원군 Regent of Korea Regency 13 December 1863 – 31 October 1873 with Queen Sinjeong Predecessor Cheoljong of Joseon Successor Queen Myeongseong Born 21 December 1820 Hanseong, Kingdom of Joseon Died 22 February 1899 (aged 78) Seongjeosibli, Korean Empire Spouse Grand Internal Princess Consort Sunmok Issue Prince Imperial Heungchin Emperor Gojong of Korea Prince Imperial Waneun (illegitimate) Dynasty House of Yi Father Yi Gu, Prince Namyeon Mother Princess Consort Min Heungseon Daewongun Hangul 흥선대원군 Hanja 興宣大院君 Revised Romanization Heungseon Daewongun McCune–Reischauer Hŭngsŏn Taewŏn'gun Pen name Hangul 석파 Hanja 石坡 Revised Romanization Seokpa McCune–Reischauer Sŏkp'a Birth name Hangul 이하응 Hanja 李昰應 Revised Romanization Yi Ha-eung McCune–Reischauer Yi Ha-ŭng Courtesy name Hangul 시백 Hanja 時伯 Revised Romanization Sibaek McCune–Reischauer Sibaek Heungseon Daewongun (흥선대원군, 興宣大院君, 21 December 1820 – 22 February 1899), also known as the Daewongun (대원군, 大院君), Guktaegong (국태공, 國太公, "The Great Archduke") or formally Heungseon Heonui Daewonwang (흥선헌의대원왕, 興宣獻懿大院王) and also known to contemporary western diplomats as Prince Gung, was the title of Yi Ha-eung, regent of Joseon during the minority of Emperor Gojong in the 1860s and until his death a key political figure of late Joseon Korea. Daewongun literally translates as "prince of the great court", a title customarily granted to the father of the reigning monarch when that father did not reign himself (usually because his son had been adopted as heir of a relative who did reign). While there had been three other Daewongun during the Joseon dynasty, ^ so dominant a place did Yi Ha-eung have in the history of the late Joseon dynasty that the term Daewongun usually refers specifically to him. The Daewongun is remembered for the wide-ranging reforms he attempted during his regency, as well as for his "vigorous enforcement of the seclusion policy, persecution of Christians, and the killing or driving off of foreigners who landed on Korean soil". [1] Biography [ edit] Early life [ edit] The Daewongun was born Yi Ha-eung in 1820. He was the fourth son of Yi Chae-jung, a member of the royal family who in 1816 was given the name Yi Gu and the title Prince Namyeon. The Daewongun was a direct descendant of King Injo. [2] The Daewongun was well schooled in Confucianism and the Chinese classics. He reputedly excelled in calligraphy and painting. His early government career consisted of minor posts that were mostly honorary and ceremonial. For the beginning of his life, his connection to the royal house seemed of little help to him. He was poor and humiliated by the rich in-laws of the royal house. [2] Rise to power [ edit] The Daewongun came to power when his second son, Yi Myeong-bok, was chosen to become king. [3] In January 1864, King Cheoljong died without an heir. The selection of the next king was in the hands of three dowagers: Queen Sinjeong, mother of King Heonjong; Queen Myeongheon, King Heonjong’s wife; and Queen Cheorin, Cheoljong's wife. [4] The "designation right" resided with Dowager Queen Sinjeong, as she was the oldest of the dowagers. [2] In an apocryphal story, Queen Cheorin sent a minister to fetch the son of Yi Ha-eung, eleven-year-old Yi Myeong-bok, who was flying a kite in a palace garden. The son was brought to the palace in a sedan chair, where Queen Sinjeong rushed forward and called him her son, thus producing the new Joseon king, King Gojong, adopted son of Crown Prince Hyomyeong. [4] This story may or may not be true. These facts, however, are known to be correct. On 16 January 1864, Yi Myeong-bok was appointed the Prince of Ikseong by Dowager Queen Sinjeong. The next day, his father was granted the title Daewongun. On 21 January, Yi Myeong-bok was enthroned as King Gojong, and Dowager Queen Sinjeong began her regency. [2] Yi was apparently chosen because "he was the only suitable surviving male member of the Yi clan and closest by blood to the royal house". [2] Since Gojong was so young, Queen Sinjeong invited the Daewongun to assist his son in ruling. She virtually renounced her right to be regent, and though she remained the titular regent, the Daewongun was in fact the true ruler. [2] Once Gojong became king, there still remained the question of his marriage. Gojong's mother Yeoheung decided upon a daughter of the Min clan, Lady Min. The Daewongun remarked that Min "was a woman of great determination and poise" and was slightly disturbed by her. However, he allowed her to marry his son, and unknowingly created his greatest political rival. [4] Reforms [ edit] During his regency, the Daewongun attempted several reforms. His main goal was to "crush the old ruling faction that had virtually usurped the sovereign power of the kings earlier in the century". [5] When he took power in 1864, the Daewongun was determined to reform the government and strengthen central control. He led an anti-corruption campaign, disciplined the royal clans, and taxed the aristocracy, the yangban. [2] [4] Cumings notes that this was not a revolution but a restoration, as the Daewongun was attempting to return to the days of King Sejong in the fifteenth century. [4] One of the Daewongun's effective acts as regent was the reconstruction of Gyeongbok Palace. The palace had been built during the reign of the first Joseon king. Much of the building was destroyed in a fire in 1533 and the rest was destroyed during the Japanese invasion of 1592. The rebuilding took seven years and five months. It was perhaps the most costly project during the Joseon dynasty. [2] The Daewongun's reforms were not very successful, as some scholars say he was "too high-handed and tactless". [5] Not only that, but his policies did not have a lasting effect, as once Gojong came of age in 1874, he forced the Daewongun into semiretirement and undid many of his reforms. [5] Foreign policy [ edit] The Daewongun's foreign policy was rather simple, as Cumings describes it: "no treaties, no trade, no Catholics, no West, and no Japan". [4] He instead maintained an isolationist policy. The Isolation Policy was a policy made to isolate Joseon from all foreign forces except for China which he believed to be the strongest. He tried to refuse Russia's quest to open Joseon's ports to them by using France, but France refused to help – causing the 1866 Byeong-in Persecution. He was involved in the General Sherman incident as well. The Isolation Policy became more entrenched in 1868 when, German merchant Ernst Oppert attempted to take hostage the bones of the Daewongun's father in order to force him to open Korea to trade; [6] and even further so after the 1871 American attack of Gwanghwado. The Isolation Policy provided immediate benefits of fortifying Korean patriotism as well as protecting their culture of Confucianism. The Heungseon Daewongun was able to protect Joseon from cultural imperialism and westernization and thus protect Korea's heritage from it. However, because he refused to engage in international relations entirely, there was a limited choice of market and slim opportunity for an industrial revolution to occur. Indeed, the Daewongun wanted to avoid engagement with the West – which would have been inevitable if Western countries were allowed to trade freely – as it would erode government influence. The Joseon Dynasty had a strict social hierarchy: the wealth of the yangban nobility resting on the backs of sangmin farm labourers and tenants; the Daewongun wanted to prevent the collapse of this hierarchy as, despite his fame for his fairness and support of civilization, the emancipation of the sangmin would mean the ruin of the yangban, his own class. The international relations of Joseon worsened as the Daewongun adopted increasingly desperate and harsher measures in order to repel Westernization. The Daewongun made the choice of protecting the world he knew by trying to shut out foreigners, at the cost of delaying development and modernization, and to keep Korea a hermit kingdom. Many Koreans state that had he chose to engage with foreign countries as his daughter-in-law Queen Min advocated, the Japanese rule of Korea could have been avoided. However, others state that the ten years of the Isolation Policy was too small a part of the Joseon Dynasty to derive such a statement from. [7] Retirement [ edit] In 1874, King Gojong came of age. His wife, Queen Min, influenced his decision to "assume the full measure of royal responsibility", an action that forced the Daewongun into semiretirement. [5] Return to power [ edit] The Daewongun enjoyed a brief return to power during the Imo Incident in 1882. On the second day of the mutiny, a group of rioters were received by the Daewongun, "who reportedly exhorted them to bring down the Min regime and expel the Japanese". [5] King Gojong asked his father, the Daewongun to come to the palace. The Daewongun’s appearance, escorted by 200 mutineers, "put an immediate end to the wild melee. " Gojong gave the Daewongun "all the small and large matters of the government" and thus the Daewongun resumed his rule. Both Japanese and Chinese forces headed towards Korea to put down the rebellion, and Ma Chien-chung, a Chinese diplomat in Korea, decided that it was time to remove the Daewongun. [5] The Chinese had three reasons they wanted to remove the Daewongun: First, he attempted to overthrow the pro-Chinese Min faction. Second, "he created a situation which invited the Japanese troops to Korea, thus precipitating the danger of a military conflict between Japan on the one hand and Korea and China on the other. " And third, "the Taewongun [Daewongun]-inspired disturbance threatened the foundation of a lawfully constituted government in a dependent nation". [5] Ma arrested the Daewongun on the charge of disrespect to the emperor for "usurping the power which the emperor had invested in the king of Korea". [5] However, as he was the father of the king, he was dealt with leniently. One hundred Chinese soldiers escorted the Daewongun to a waiting Chinese warship, and from there to Tianjin. [5] Return to Korea [ edit] In the fall of 1885, the Chinese returned the Daewongun to Korea, "despite strong objections from the queen and her followers". [5] Gabo Reform [ edit] In 1894, the Japanese were strengthening their hold over Korea. They needed someone amenable to them to be a leader in Korea during the Gabo Reform. They approached the Daewongun as a potential leader. When he agreed, on 23 July Japanese soldiers liberated him from the house arrest Gojong had placed him under. In exchange for his help, the Daewongun asked for a promise that if the reforms succeeded, "Japan will not demand a single piece of Korean territory". [1] The soldiers took him to the palace, where they approached the king. The Daewongun reproached King Gojong and announced that he would be taking over. [1] The Japanese became nervous after placing the Daewongun in charge, as he seemed interested "only in grasping power and purging his opponents and did not see the need for a reform policy". [1] By September 1894, the Japanese decided that the Daewongun was not to be trusted. By early October, it became clear that "the plan to use the Taewongun [Daewongun] as a vehicle for the reform program had misfired". [1] A Japanese statesman, Inoue Kaoru, was sent to Korea as the new resident minister, where he told the Daewongun, "You always stand in the way, " and forced the Daewongun to promise that he would "abstain from interference in political affairs". [1] Involvement in Queen Min's Death [ edit] In 1895, Japanese officials in Korea were plotting the removal of Gojong's wife, Queen Min. Miura Gorō, Inoue Kaoru's successor as Japanese advisor to the Korean government, and Sugimura Fukashi, a secretary of the Japanese legation, planned the attempt. The two decided to involve the Daewongun in the plot, and after making inquiries, learned that he was "indignant enough to plan a coup" and would cooperate with them. [5] On 8 October 1895, early in the morning, Japanese policemen escorted the Daewongun to the palace. [5] His involvement from that point on is unclear, but on that morning, Japanese agents assassinated Queen Min. Death [ edit] The Daewongun died in 1899. [5] Family [ edit] Father: Yi Gu, Prince Namyeon (22 August 1788 – 19 March 1836) (이구 남연군) Grandfather: Yi Byeong-won (6 April 1752 – 11 November 1822) (이병원) Adoptive Grandfather: Yi Jin, Prince Eunshin (11 January 1755 – 29 March 1771) (이진 은신군) Grandmother: Lady Jeong of the Yeonil Jeong clan (연일 정씨) Adoptive Grandmother: Lady Hong of the Namyang Hong clan (1755 – 29 March 1821) (남양 홍씨) Mother: Princess Consort Min of the Yeoheung Min clan (26 June 1788 – 1831) (군부인 여흥민씨) Grandfather: Min Gyeong-hyeok (1746–1815) (민경혁) Grandmother: Lady Han of the Cheongju Han clan (청주 한씨) Consorts and their Respective Issue(s): Grand Internal Princess Consort Sunmok of the Yeoheung Min clan (3 February 1818 – 8 January 1898) (순목대원비 민씨) Yi Jae-myeon, Prince Imperial Heungchin (22 August 1845 – 9 September 1912) (이재면 흥친왕) Emperor Gojong of Korea (8 September 1852 – 21 January 1919) (대한제국 고종) Unnamed daughter (? – 1869) Unnamed daughter (? – 1899) Gye Seong-wol (계성월) Yi Jae-seon, Prince Waneun (1 August 1841/1842 – 27 October 1881) (이재선 완은군) ^ Chuseon (추선) (? – 1885) Lady Seo (? – 7 January 1914) (서씨) Jin Chae-seon (1842 –? ) (진채선) In popular culture [ edit] Portrayed by Yoo Dong-geun in the 2001–2002 KBS2 TV series Empress Myeongseong. Portrayed by Chun Ho-jin in the 2009 film The Sword with No Name. Portrayed by Lee Beom-soo in the 2012 MBC TV series, Dr. Jin. Portrayed by Kim Nam Gil in the 2015 film The Sound of a Flower. Portrayed by Choi Jong-won in the 2018 tvN and Netflix TV series Mr. Sunshine. Portrayed by Ji Sung in the 2018 film Fengshui. Notes [ edit] 1. ^ In chronological order: Seonjo 's Father ( Deokheung Daewongun), his son ( Jeongwon Daewongun; Injo 's Father), and Cheoljong's Father ( Jeongye Daewongun). Gojong's Father is the fourth and last 2. ^ He is an illegitimate son. See also [ edit] History of Korea Rulers of Korea List of Korea-related topics References [ edit] ^ a b c d e f Conroy, Hilary. The Japanese Seizure of Korea, 1868–1910: A Study of Realism and Idealism in International Relations. Philadelphia: University of Pennsylvania Press, 1960. ^ a b c d e f g h Choe Ching Young. The Rule of the Taewŏn’gun, 1864–1873: Restoration in Yi Korea. Cambridge, Mass. : East Asian Research Center, Harvard University, 1972. ^ "Heungseon Daewongun". 한국사 사전 3 – 나라와 민족 · 기구와 단체 · 역사 인물. ^ a b c d e f Cumings, Bruce. Korea’s Place in the Sun: A Modern History. New York: W. W. Norton & Company, 2005. ^ a b c d e f g h i j k l m Kim, C. I. Eugene and Han-Kyo Kim. Korea and the Politics of Imperialism: 1876–1910. Berkeley and Los Angeles: University of California Press, 1967. ^ Neff, Robert (21 July 2010). "German merchant's body-snatching expedition in 1868". The Korea Times. Archived from the original on 23 June 2015. Retrieved 22 June 2015. ^ Su-il, J. (2007). The World Inside Korea How Have We Communicated with the World?. THE REVIEW OF KOREAN STUDIES, 10(2), 189–200. ISO 690 Lee, Moon-Su. Korea Donghak Academy Journal Vol. 11 No. -(2002). Heungseundaewongun's Political reformation and its Limitation during Late Chosen Dynasty. p. 1–29. Republic of Korea: Hanguk Donghak Academy, 2002. External links [ edit] Media related to Heungseon Daewongun at Wikimedia Commons.

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Our 2nd new Movie of the year was so opposite to Little Women in character but turned out just as enjoyable in a very different way.
My Review - The Gentleman. My Rating 8.5 /10
The trailers for The Gentlemen doesn't give a lot away and either will my Review except to say if you enjoyed the classic black comedy In Bruges (2008) with Colin Farrell,who is one of "The Gentlemen " or Guy Ritchie's "The Snatch "2000 you should really enjoy this film.
If really full on swearing especially the 'C" word offends you ( it doesn't bother me at all if it fits the characters but it may not be your cup of tea.
There is violence more implied and not graphic and the plots fast paced and convoluted but it's so clever and original and very very funny in parts.
I'm really looking forward to seeing it again to catch up on a few plot lines that passed me by.
The performances are all top class especially Hugh Grant who I've never considered a really great actor but I've change my mind after today.
In fact his performances in the last few films he's been in like A Very English Scandal and Paddington 2 up until The Gentlemen I would say have been his best acting roles.
He is cast in The Gentlemen as Fletcher a Private Investigator trying to fleece 20 million from a British gangster hit man cartel. Hugh Grant's performance in my opinion is the funniest detective role to come along since Peter Sellers Chief Inspector Clouseau. He's brilliant as the very camp cunningly conniving Fletcher and his East end drawl is incredibly clever acting.
Often fine performances are due to a good director and Guy Ritchie who directed and wrote the screenplay for The Gentlemen has excelled in this film.
I enjoyed this more than the recent "Knives Out " film which was very good but The Gentlemen I think is in a Class similar to the late Blake Edwards at his best.
The other stand out performances are from Academy Award winner Matthew McConaughey as Mickey Pearson an American expat who became rich by building a marijuana empire in London.
A Simplified version of the plot is that when word gets out that Mickey is looking to cash out his business,it soon triggers an array of plots and schemes from those who want his fortune.
Michelle Dockery completely buries any vision of herself as Lady Mary from Downton Abbey in the Gentlemen in her role as Mickey's wife and business partner with a hot gangster moll outfit and figure to match and some red hot lines to match,she's sensational in this role.
In fact all the performances are good we see Henry Golding step out of his nice Asian dude character from Crazy Rich Asians and an angel in Last Christmas to play Dry Eye a young gangster protege trying to take over the territory from his Uncle Wang Young. Harlie Hunam as Raymond and Colin Farrell as Coach also give stand out performances
I was really surprised and delighted by how much I enjoyed The Gentlemen and look forward to seeing it again.

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Stylistically, it is very much a Guy Ritchie film and seemingly a little more composed than his earlier works. The likes of Snatch and Lock, Stock. were along time ago, so we'll call it maturity for lack of a better word.

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The Gentlemen Theatrical release poster Directed by Guy Ritchie Produced by Guy Ritchie Ivan Atkinson Bill Block Screenplay by Guy Ritchie Story by Marn Davies Starring Matthew McConaughey Charlie Hunnam Henry Golding Michelle Dockery Jeremy Strong Eddie Marsan Colin Farrell Hugh Grant Music by Christopher Benstead Cinematography Alan Stewart Edited by James Herbert Production company Miramax Distributed by STXfilms (United States) Entertainment Film Distributors (United Kingdom) Release date 3 December 2019 ( Curzon Mayfair Cinema) 1 January 2020 (United Kingdom) 24 January 2020 (United States) Running time 113 minutes [1] Country United Kingdom United States Language English Budget $22 million [2] Box office $48. 4 million [3] The Gentlemen is a 2019 action comedy film written and directed by Guy Ritchie, from a story by Ivan Atkinson, Marn Davies, and Ritchie. The film stars Matthew McConaughey, Charlie Hunnam, Henry Golding, Michelle Dockery, Jeremy Strong, Eddie Marsan, Colin Farrell and Hugh Grant. It follows an American marijuana kingpin in England who is looking to sell his company, setting off a chain of blackmail and schemes to undermine him. The Gentlemen premiered at the Curzon Mayfair Cinema on December 3, 2019, [4] and was theatrically released in the United Kingdom on January 1, 2020 and in the United States on January 24, 2020, by STXfilms. It received generally positive reviews from critics and has grossed $48 million worldwide. Plot [ edit] Big Dave, editor of the Daily Print tabloid, is snubbed by cannabis baron Mickey Pearson at a party and hires private investigator Fletcher to investigate Pearson's links to Lord Pressfield, a minor Royal with a heroin-addicted daughter. Fletcher offers to sell his findings (typed up as a screenplay entitled Bush) to Pearson's right-hand man Raymond for £20 million. Born in poverty in the US, Pearson won a Rhodes Scholarship to Oxford University, where he began selling marijuana to privileged fellow students before dropping out and building his empire by violence. He plans to sell his business to American billionaire Matthew Berger for $400 million so he can retire peacefully with his wife Rosalind. Pearson shows Berger one of the labs where he grows his cannabis under the estates of aristocratic landlords, who need cash for the upkeep of their stately homes. Pearson is later approached by Dry Eye, an underboss for Chinese gangster Lord George. Dry Eye offers to buy out Pearson's business, but he refuses. Pearson's lab is then raided by amateur boxers who film their encounter defeating the lab's guards and stealing the marijuana before uploading it online as a rap video. The boxers' coach later orders them to delete the video. Pearson begins transferring his cannabis-growing out of the estates. He also agrees to bring home Pressfield's wayward daughter Laura. Raymond retrieves Laura, however, in a brawl with her room-mates one of Raymond's men accidentally pushes Aslan, a young Russian man, out of the window to his death. Laura later dies of a heroin overdose. Coach visits Raymond, apologizes for his students' actions, and offers his services as penance. Coach has captured Phuc, a henchman of Dry Eye's who had informed Coach's crew about the lab location, although Phuc is accidentally killed during a botched escape attempt. Pearson threatens Lord George for going after his lab, and destroys one of his heroin labs in retaliation. George chastises Dry Eye for his insubordination in attacking Pearson and offering to buy him out; George nods to a henchman to execute Dry Eye, but the man executes George instead. Unknown to Pearson, Dry Eye is in league with Berger, who had wanted Pearson's business disrupted to reduce the price. Dry Eye has taken Lord George's place and still hopes to take Pearson's empire for himself. Dry Eye tries to kidnap Rosalind, who kills Dry Eye's men before she runs out of bullets in her 2-shot derringer. Raymond kills an assassin sent to kill Pearson; the two rush to Rosalind and Pearson kills Dry Eye as he is about to rape Rosalind. Fletcher ends his story and Raymond orders him to leave his house. Fletcher has merely confirmed Pearson's suspicions about the link between Dry Eye and Berger. Raymond orders Coach's students to capture Big Dave. They drug him and film him having sex with a pig, threatening to post it online unless he drops his investigation. Pearson and Berger meet up again in a frozen fish plant, actually a cover for Pearson's European distribution operation. Berger drops his offer to $130 million, but Pearson reveals his knowledge of Berger's plan, shows him Dry Eye's frozen body and tells him he is keeping his business. Pearson forces Berger inside a refrigerator, where he will freeze to death unless he transfers $270 million compensation and, for the assault on Rosalind, cuts "a pound of flesh" from his own body. Fletcher approaches Raymond again for his payment, but Raymond reveals that he was tailing Fletcher all along. The boxers have stolen his stashes of evidence after Raymond placed a tracker on him during their last encounter. Fletcher reveals that he has also sold info to Aslan's father, a Russian oligarch and former KGB agent. The assassin that Raymond earlier killed was one of the Russians. Coach kills two Russian hitmen sent to kill Raymond, while Fletcher escapes in the chaos. Pearson is kidnapped by two other Russians, but they are quickly ambushed by Coach's students who want to "solve Coach's problem". They assault the car with bullets, killing the Russians and allowing Pearson to escape. Later, Fletcher decides to pitch the story as a film to Miramax. After his meeting, he gets into a cab only to realize that Raymond is the driver. Upon learning of Fletcher's capture, Pearson and Rosalind return to their cannabis empire and celebrate in each other's company. Cast [ edit] Production [ edit] It was announced in May 2018 that Guy Ritchie would direct and write a film that would be in the same spirit as Ritchie's earlier films Lock, Stock and Two Smoking Barrels and Snatch. The project was unveiled at the 2018 Cannes Film Festival, where Miramax acquired the distribution rights. [5] [6] Filming was expected to begin in October. [7] In October, Matthew McConaughey, Kate Beckinsale, Henry Golding and Hugh Grant were cast, [8] [9] with Jeremy Strong, Jason Wong and Colin Farrell joining in November. Michelle Dockery also signed on, replacing Beckinsale in her role. [10] [11] [12] In December 2018, Lyne Renée was added as well. [13] Principal photography began in November 2018. [14] Filming locations included West London Film Studios and The Princess Victoria pub in Shepherd's Bush. [ citation needed] Release [ edit] In February 2019, STX Entertainment acquired distribution rights to the film for $7 million. [15] The film had its world premiere as a VIP special screening at Curzon Mayfair on 3 December 2019. [16] It was theatrically released in the UK on 1 January 2020 and in the US on 24 January 2020. [17] The studio spent around $25 million on promoting the film. [18] Reception [ edit] Box office [ edit] As of February 2, 2020, The Gentlemen has grossed $20. 4 million in the United States and Canada, and $28 million in other territories, for a worldwide total of $48. 4 million. [3] In the United States and Canada, the film was released alongside The Turning, and was projected to gross around $10 million from 2, 100 theaters in its opening weekend. [19] The film made $3. 1 million on its first day, including $725, 000 from Thursday night previews. It went on to debut to $10. 6 million, finishing fourth at the box office. [18] Critical response [ edit] On review aggregator Rotten Tomatoes, the film has an approval rating of 73% based on 211 reviews, with an average rating of 6. 35/10. The website's critics consensus reads: "It may not win writer-director Guy Ritchie many new converts, but for those already attuned to the filmmaker's brash wavelength, The Gentlemen stands tall. " [20] On Metacritic, the film has a weighted average score 51 out of 100, based on 44 critics, indicating "mixed or average reviews. " [21] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while PostTrak reported an average 3. 5 out of 5 stars, with 48% of people saying they would definitely recommend it. [18] Writing for Entertainment Weekly, Leah Greenblatt rated the film with a "B-" and found the film to come up short when compared to Ritchie's previous crime films, stating, " The Gentlemen is nothing if not a callback to the Locks ( Lock, Stock and Two Smoking Barrels) of yesteryear, star-stacked and defibrillated with enough juice to jolt a gorilla out of cardiac arrest. " [22] Some reviews perceived the film as anti-Semitic, racist, homophobic and sexist on account of its portrayals of characters that fit stereotypes. [23] [24] [25] The Independent described it as "an equal opportunity offender" in its targeting of a multitude of minorities from Jews to East-Asians. [26] References [ edit] ^ "The Gentlemen (18)". British Board of Film Classification. December 22, 2019. Retrieved January 1, 2020. ^ "Weekend Box Office: Guy Ritchie's 'The Gentlemen' Beats Latest Horror Dud". IndieWire. January 26, 2020. Retrieved January 27, 2020. ^ a b "The Gentlemen (2020)". Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ MarketMeets. Film Premieres 2019. [1] ^ Fleming, Mike Jr (May 3, 2018). "Guy Ritchie Returns To 'Lock, Stock' & 'Snatch' Turf With 'Toff Guys' – Cannes". Deadline Hollywood. ^ Fleming, Mike Jr (May 9, 2018). "Freshly Recapitalized Miramax Lands $30M+ World Rights Deal For Guy Ritchie's 'Toff Guys ' ". Deadline Hollywood. ^ "Guy Ritchie's Gangster Flick 'Toff Guys' Could Have Cameras Rolling By Next Month". Geeks WorldWide. September 2, 2018. ^ Kroll, Justin (October 10, 2018). "Matthew McConaughey to Star in Guy Ritchie's 'Toff Guys' With Kate Beckinsale, Henry Golding". Variety. ^ D'Alessandro, Anthony (November 1, 2018). "Hugh Grant Joins Guy Ritchie's 'Toff Guys' Gang". Deadline Hollywood. ^ D'Alessandro, Anthony (November 7, 2018). "Jeremy Strong To Play Pot Kingpin In Guy Ritchie's 'Toff Guys' Gangster Pic". Deadline Hollywood. ^ D'Alessandro, Anthony (November 16, 2018). "Guy Ritchie's 'Toff Guys' Adds Jason Wong". Deadline Hollywood. ^ "Colin Farrell Joins Matthew McConaughey in Guy Ritchie's 'Toff Guys' (Exclusive)". The Hollywood Reporter. ^ D'Alessandro, Anthony (December 13, 2018). "Guy Ritchie's 'Toff Guys' Taps Lyne Renee". Deadline Hollywood. Retrieved December 13, 2018. ^ Daniels, Nia (November 13, 2018). "Guy Ritchie movie starts London filming". The Knowledge Online. Retrieved November 13, 2018. ^ Wiseman, Andreas (February 21, 2019). "STX Punches For Guy Ritchie Crime-Comedy 'Bush' In Splashy $7M Deal, EFM 2019's Biggest". Retrieved February 21, 2019. ^ "Film Premieres 2019". MarkMeets. Retrieved January 2, 2020. ^ Fleming, Mike Jr (August 2, 2019). "After Denial, STX Moves 'Playmobil' From August 30 To December 6". Retrieved August 2, 2019. ^ a b c Anthony D'Alessandro (January 26, 2020). " ' Bad Boys For Life' & '1917' Shooting Past $100M; 'The Gentlemen' Eyes $10M+ – Midday Box Office". Retrieved January 26, 2020. ^ Rebecca Rubin (January 22, 2020). "Box Office: 'The Gentlemen' Takes on 'Bad Boys ' ". Variety. Retrieved January 23, 2020. ^ "The Gentlemen (2020)". Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ "The Gentlemen Reviews". Metacritic. CBS Interactive. Retrieved January 27, 2020. ^ Entertainment Weekly, Leah Greenblatt. The Gentlemen. Page 74-75. Feb 2020 issue. [2] ^ "Review: 'The Gentlemen' Is Not Nearly as Classy as Advertised". Time. Retrieved January 24, 2020. ^ "The Gentlemen review: Guy Ritchie crime caper stained with casual racism". NME. December 20, 2019. Retrieved January 24, 2020. ^ Willmore, Alison (January 23, 2020). "The Gentlemen Is a Throwback Crime Caper With Some Throwback Racism". Vulture. Retrieved January 24, 2020. ^ "The Gentlemen review: Guy Ritchie's return to gangster movies is an angry, racist mess". The Independent. December 18, 2019. Retrieved January 24, 2020. External links [ edit] Official website The Gentlemen on IMDb.

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